Nivedita Madigubba was born and raised in India, across Andhra Pradesh and Telangana, and is currently working from California—the unceded Muwekma Ohlone land. She is interested in looking closely at forgotten connections through her art practice. What constitutes boundaries between dichotomies such as us/them or human/non-human? How can one rest in the liminal space between these false binaries? These questions seep into her practice as investigations of dominant memories. Nivedita views products of cultural processes as archives of embedded stories that shape collective memory. These products include wallpapers, ritual vessels, digital archives, translated literature, books across genres such as history, fiction, philosophy, and mythology. She works with these materials to re-frame them and visualize narratives that are entangled, multiple, and shapeshifting.